{"id":446,"date":"2011-04-12T10:24:02","date_gmt":"2011-04-12T13:24:02","guid":{"rendered":"http:\/\/www.albertoclaveriafoto.com.ar\/blog\/?p=446"},"modified":"2011-04-12T10:24:02","modified_gmt":"2011-04-12T13:24:02","slug":"visitando-la-casa-de-ansel-adams","status":"publish","type":"post","link":"https:\/\/www.albertoclaveriafoto.com.ar\/blog\/?p=446","title":{"rendered":"Visitando la casa de Ansel Adams"},"content":{"rendered":"<p>Marc Silber, fot\u00f3grafo de ByN&#160; estudi\u00f3 las obras de maestros como Ansel Adams, Weston y Henri Cartier-Bresson, pero r\u00e1pidamente se forj\u00f3 su propio estilo y calidad.<\/p>\n<p>Este es un video reportaje muy interesante que realiz\u00f3 (est\u00e1 en ingles) a Michael Adams, hijo de Ansel Adams, recorriendo la casa de California donde viv\u00eda el Maestro, en primer t\u00e9rmino, sobre la foto llamada&#160; &quot;Moonrise, Hernandez, New Mexico&quot;, de 1948, valuada en 609.600 d\u00f3lares por Sotheby&#8217;s Nueva York, en Octubre de 2006, detalla c\u00f3mo obtuvo la foto original y c\u00f3mo la transform\u00f3 luego en el cuarto oscuro, se ven en esta explicaci\u00f3n los esquemas del plan de apantallado que iba a utilizar para esta foto en particular. <\/p>\n<p>En 2do, lugar se muestra el cuarto oscuro, la ampliadora horizontal original que utilizaba y los elementos que usaba para apantallar y darle el acabado final a las copias. <\/p>\n<p>&#160;<\/p>\n<p>Miraba el video y pensaba, que hoy con los programas de edici\u00f3n digital nos resulta tan f\u00e1cil retocar una foto y comparando con esa \u00e9poca, no hace mucho tiempo de esto, se dispon\u00edan de recursos b\u00e1sicos para lograr lo que logr\u00f3. Seg\u00fan el relato de su hijo que fue testigo de muchas de las tomas que vemos en el video, se pasaba d\u00edas enteros para obtener los resultados que quedaron a la vista y ser un referente en el arte de la fotograf\u00eda.<\/p>\n<p>&#160;<\/p>\n<p>Siempre digo, los grandes artistas trascendieron por su grandeza, sabidur\u00eda y genialidad\u2026.<\/p>\n<p>&#160;<\/p>\n<p>&#160;<\/p>\n<\/p>\n<div style=\"padding-bottom: 0px; padding-left: 0px; width: 512px; padding-right: 0px; display: block; float: none; margin-left: auto; margin-right: auto; padding-top: 0px\" id=\"scid:53357c8b-5919-4e32-8c25-305d27c17a37:f99b2f68-39a8-4222-a489-edf5dff95035\" class=\"wlWriterEditableSmartContent\"><embed src=\"http:\/\/www.youtube.com\/v\/qZlovMptjyQ&amp;rel=0\" type=\"application\/x-shockwave-flash\" wmode=\"transparent\" width=\"512\" height=\"421\"><\/embed><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Marc Silber, fot\u00f3grafo de ByN&#160; estudi\u00f3 las obras de maestros como Ansel Adams, Weston y Henri Cartier-Bresson, pero r\u00e1pidamente se [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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